The description of achilles as a hero in the iiiad
His glory in song, then, unlike the beauty of a flower, will never fade. The basic historical fact remains, in any case, that the figure of Homer had become, by the Classical period of the fifth century BCE, a primary culture hero credited with the creation of the Iliad and Odyssey.
It is clear in the epic, however, that the father of Achilles is mortal, and that this greatest of heroes must therefore be mortal as well.
What kind of hero is achilles
His calm enjoyment of the funeral games and level-headed generosity to the competitors, the sympathetic hearing he eventually grants poor old Priam — both seem all the more impressive after his previous derangement. This human need to venerate was something Homer understood and exploited to glorious effect in the Iliad. There is also a fantastic video of kids meeting their football idols , viewed more than 69m times on social media, which gives an idea of how primal and overpowering such reverence can be. At the same time though, they must remain admired and respected. Achilles was the great warrior of the Greek army and killed Hector. Use in text parenthetical documentation according to MLA standards. The prestige accorded by ancient Greek civilization to the figure of Achilles, and the strong emotional attachment that goes with it, is worthy of our attention especially because modern readers, both men and women, young and old, often find themselves relatively unresponsive to this sullen and darkly brooding hero. The symmetry of the Iliad and Odyssey goes even further: between the two of them, these two songs give the impression of incorporating most of whatever was worth retelling about the heroic age - at least from the standpoint of the Greeks in the Classical period of the fifth century BCE and thereafter. He is semi-divine and wholly precious. The Greeks in this song are a larger-than-life cultural construct of what they imagined themselves to have been in the distant age of heroes. From the eighth through the fifth centuries BCE, the geographical area that we now recognize as ancient Greece was an agglomerate of territories controlled by scores of independent and competing city-states. No matter how many immortals you find in a family tree, the intrusion of even a single mortal will make all successive descendants mortal.
Until the end of the poem, it can be argued that both Achilles and Hector fit the role of an epic hero, but there can only be one. There are books and books in which he is barely mentioned.
Evidence also places these practices of hero-worship and animal-sacrifice precisely during the era when the stories of the Iliad and Odyssey took shape. It is the history of Greek civilization, then, that the Homeric Iliad and Odyssey define.
To this extent, I can justify my reference to the reception of Homeric poetry by "the ancient Greeks themselves.
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